Linda Lappin

March 8, 2022 -- YORICK RADIO PRODUCTIONS PRESENTS “A PUBLIC OF TWO” in celebration of International Women’s Day

In the summer of 1920, the writer Katherine Mansfield received a frequent visitor to her London home: Virginia Woolf. Once a week, Woolf would take the train from Richmond, disembarking at Hampstead Heath, and walk the rest of the way to Mansfield’s house at 2 Portland Villas. In Mansfield’s studio overlooking the garden, these two friends would discuss the craft of writing, sipping tea prepared down in the kitchen by Ida Baker. Though both Woolf and Mansfield noted in their diaries how much these conversations meant to them, we have no record of what they actually said to each other, and must glean what we can reading between the lines of the comments they have left. Powerful attraction, mutual identification, and sharp rivalry united them.

At summer’s end, Mansfield traveled to the continent, returning to London only very briefly before setting out on her final journey. Virginia and Katherine would not meet again. Mansfield died in France, outside Paris at the Prieurè of Fontainebleau in January 1923. In A Public of Two, I try to recreate the atmosphere, conflict, and conversation unfolding in Mansfield's studio during their last encounter.

“A Public of Two” has been adapted from a chapter of Katherine's Wish, which deals with the last five years of Mansfield’s life. The novel was a finalist for the Foreword Book of the Year in 2009, winner of a IPPY Gold Medal, and an honorable mention in the Hoffer Award. David Lynn, editor of the Kenyon Review, praised Katherine’s Wish as “a dazzling bit of fictional sorcery, conjuring to life the bright and talented swirl of modern society in the 1920s.”

This Radio Play has been produced by Rosemary Beech, founder of Yorick Radio Productions and is performed by four brilliant young actors with whom it has been a pleasure & privilege to work.

Ellisha O'Donnell in the role of Katherine Mansfield. Ellisha is a Glasgow-based actor with a history in theatre, and since graduating (with a HND in Acting & Performance) has been exploring voice acting.

Rosemary Beech in the role of Virginia Woolf. Rosemary graduated from Glasgow University with a Masters in Theatre and Performance. They are a Voice Actor and Podcast Manager with a passion for radio plays.

Alice Gold in the role of Ida Baker. Alice is a graduate of Guildford School of Acting with an MFA in Musical Theatre. She aims to continue to work across musicals, plays, and television.

Jonty O’ Callaghan in the role of John Middleton Murry. Jonty is a recent graduate of Guildford School of Acting, achieving his MFA with distinction. He says he is delighted to make his voice acting debut in ‘A Public of Two’!

It's so exciting and humbling to hear your writing come alive through voices other than your own, and I want to give heartfelt thanks to Yorick Radio Podcasts for giving me this opportunity. Yorick Radio Productions is a podcast dedicated to performance and creativity – with special segments dedicated to theatre theory, radio play performances, creative writing, and interviews with performers and writers. It is available on all major podcast platforms. You can sign up at buzzsprout

Katherine’s Wish ISBN 9781877655586 is available in paperback from amazon

BN.com

bookshop.org>

Reposting this older post about a trip to Katherine Mansfield's grave outside Paris

Whenever I am in Paris, I make a private pilgrimage to Katherine Mansfield’s grave in the cemetery of Avon, near Fontainebleau. Recently in town for a reading at Shakespeare & Company, I take a day out of a hectic schedule to pay homage to a writer who deeply influenced my life.

A row of driverless taxis waits outside the Fontainebleau-Avon station. It’s lunchtime and the drivers are probably all at table. Each taxi displays a sign with a mobile number to call should the driver be absent, but I am informed by an
American couple ahead of me in line that only one has answered their calls, promising to come “toute de suite,” nearly an hour ago. Chatting with them I learn that they are from California and that they too are on a pilgrimage to the cemetery
of Avon, to visit Gurdjieff’s grave there. We decide to share a taxi, should one arrive, and within moments, voilà, an unlicensed taxi pulls into the stand and we strike a deal with the driver for a tour.

The cemetery of Avon, located at the end of “Rue de Souvenir” is beautifully kept.
The black marble tombs are polished to a mirror’s perfection and decorated with bright bursts of yellow and rust-orange chrysanthemums and flares of purple heather. Wandering back to an older part of the cemetery, I find Katherine’s grave –
simple, stern, unadorned except for a small vase of ivy set at the head. The name “Katherine Mansfield” is etched in large letters. This is the name by which the world knew her, but not the one printed on her passport, “Kathleen Mansfield
Murry.” Beneath appears the title by which she longed to be known, “wife of John Middleton Murry.” Barely legible today is the epitaph: “Out of this nettle danger, we pluck the flower, safety,” summing up the contradictions and tug of opposites
within Mansfield’s life, character, and writing. Not far off, just “next door,” as it were, is the Gurdjieff family plot, a large rectangle of green turf edged in yellow pansies, surmounted by two rough hewn menhirs, and shaded by a gnarled
cedar.

The graves are unmarked but the tourist board has added an unobtrusive sign briefly explaining who Gurdjieff was and his connection to Avon. My fellow pilgrims film the grave from every angle. We stand a while in silent reflection and then return to our taxi. Although our driver has lived in Fontainebleau for all his forty-some years and is fiercely proud of this fact, he is perplexed as to our request to visit the Prieuré des Basses Loges. He is unsure where it is exactly. The Californians have a map, which indicates a building at the end of Rue de Katherine Mansfield, but it turns out to be a
modern nursing home. I have been to the Prieuré once before, while doing research which would later develop into my novel, Katherine’s Wish, based on the last five years of Mansfield’s life, and I know that it is not easy to find the Prieuré.

The modernization of this area of the town, the division of the old estate, taller walls, and a certain reticence concerning Gurdjieff and his school make the place hard to spot, but at last we find it, secluded behind a tall stone wall. We follow
the wall to a front gate and peer in. Since my last visit, the place has been transformed into an elegant residential complex. No plaque on the gate denotes the presence of Gurdjieff’s school in the 1920s, or Katherine’s death here in
1923, or even the name by which the building was known. Continuing along the wall, we come to a side entrance leading to a parking area. The gate is locked, but a young woman in a track suit, noticing us on her way to her car, comes to enquire if we are looking for someone. Quite simply we tell her we are looking for the place where Katherine Mansfield once lived, and where Gurdjieff had his school.

She seems puzzled and tells us that she thinks Mansfield lived elsewhere, down the street perhaps, and has never heard of Gurdjieff. However, she lets us in, shows us how to open the gate to let ourselves out again and apologizes for not
being able to help us on our search. “I have only been living here for a couple of months,” she says, before driving out the gate. We go in and walk around the grounds, to what is now the rear of the building on the southern side, where the
great lawns and flower beds once extended, now parceled off today with fences. There are few trees save a large plane tree shedding its yellow leaves on the shaggy lawn. It must be nearly a century old and was surely standing here in
Katherine’s time. I picture her in the elegant room she occupied on the upper floor of the Chateau, known as The Ritz to pupils who stayed in more Spartan quarters.
I imagine her standing at the window, looking out at the lawns, at this tree, feeling the autumn sun on her chest and eyelids, desiring to become “A Child of the Sun.” A large dog comes bounding out of the bushes toward us. Luckily he is
friendly, but we take this as a sign that we should not prolong our visit. Slowly we circle the house, pause to examine the fountain with blue tiles out front, now drained, then discreetly slip back out to the street. There are many accounts of the
intense, whirling life that went on within these walls –from C.S: Knott’s Journal of a Pupil, Fritz Peters’ delightful memoir, Boyhood with Gurdjieff – but none are more moving than Katherine’s own letters written in the last weeks from the her little
writing table upstairs. It seems strange to me that the drama of this writer’s last days, which has touched so many readers for four generations, should remain completely unknown to the people who now eat, sleep, and carry on their daily lives in the
place where Mansfield died. But that is Paris and its environs – rife with ghosts, layer upon layer, who unseen breathe upon us.

Linda Lappin is the author of Katherine's Wish a novel about the last five years of Katherine Mansfield's life and her stay at Gurdjieff's institute in Fontainebleau, which won the IPPY gold medal in historical fiction and was short listed for the ForeWord Book of the Year award in fiction, among other prizes. She is also the author of the prize winning essay: Katherine Mansfield and DH Lawrence, a Parallel Quest discussing the spiritual journeys undertaken by these two great modernists in the last phase of their lives. The essay shared first place in the international essay contest sponsored by the Katherine Mansfield Society. She is also the author of an essay on Mansfield and Gurdjieff, The Ghosts of Fontainebleau published in the Southwest Review. Katherine's Wish is available on Kindle at a discount throughout August 2013 @ amazon


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