The author in her courtyard in Vitorchiano

Vitorchiano in the spring

procession

hydrangeas in my garden

TREKKING IN TUSCIA! Those of you who have asked about trekking in Tuscia and exploring some of the places described in my novels The Etruscan & Signatures in Stone, and in my blogs, travel essays, and memoirs, please visit David Morton's fabulous website, Roman Road Walks Morton, an experienced and reliable guide, can help you organize a walking tour -from easy to rough going, selecting your own itinerary. A wonderful way to see Tuscia or other parts of Italy off the beaten track.

Etruscan Gorgon

The eastern gorge in wintertime

UNDER THE ETRUSCAN SHADE

For nearly ten years, I have lived in Vitorchiano, a medieval town an hour's drive north of Rome, carved in gray-flecked tufa, perched on the edge of a dizzying gorge. This area of Italy, called the Tuscia, remains untouched by tourism. Here the local people still live by ancient trades: cutting wood, tending sheep, producing wine and olive oil, quarrying peperino,the volcanic stone which has provided the town's livelihood for centuries.
This is Etruscan territory. Beneath the quiet meadows blanketing the countryside
lies a honeycomb of tombs extending for miles on end. Most have never officially been excavated, but are well-known to local tombaroli --grave robbers.
Under the Etruscan shade lies a realm of mystery and eerie legend. With its abundant banquets of figs and wine, and its red-painted, sacred dancers, the Etruscans' vision of the afterlife was one of richness and fulfillment. D.H. Lawrence, who came to the Tuscia in search of spiritual renewal, believed he had discovered here a fount from which he might draw new strength. Lawrence's vision of the Etruscans in Etruscan Places is among the chief inspirations for my novel, The Etruscan, published in July 2004, by Wynkin deWorde, a small literary press in Galway, Ireland.
This novel is set in the 1920s, in the era of Lawrence's visit here. The heroine, Harriet Sackett, a feminist photographer, comes to the Tuscia to photograph Etruscan tombs and finds herself entangled with count Federigo del Re, occultist and self-proclaimed Etruscan spirit. It's the story of an irresistible attraction between the modern, advanced woman and the archaic- minded, patriarchal male, between the cultures they represent, America and Italy, and ultimately, between the worlds they embody: the temporal and the timeless.
While working on my novel, I lived in a farmhouse outside the gates of the old town, with a window overlooking a gorge where dozens of tombs have been hollowed out of the rock face. You cannot live in a such a place for long without unconsciously absorbing its mystique. Researching the background for my novel, I soon learned that it was quite common for local people, from aristocrats to farmers, to believe they were somehow in touch with the vanished Etruscans.
In the course of my research, I met dowsers and healers who trace their occult powers back to the Etruscans. I met a controversial scholar who has dedicated a lifetime to studying monuments that remain unexplained by the academe. I met a geologist who showed me a hidden spot in the woods where strange magnetic phenomena occur, a tombarolo who invited me to explore with him, a paranormal researcher who has recorded strange echoes in caves, and a painter who studies the lay of the land from a balloon. I met a chef who cooked me dishes he believed were surely of Etruscan origin. A countess unveiled for me her secret collection of Etruscan artefacts illegally assembled by her grandfather. I met a designer who creates hats based on Etruscan designs and a sculpture who peoples his life with terracotta sphinxes of Etruscan inspiration. I listened to folk tales and dreams recounted, all telling of the underworld, and like Harriet Sackett, I have sat for hours in dank tombs, pondering the door of the soul separating this world from the next. The fruits of all this research and reflection are to be found in my novel The Etruscan, in which I hope readers will discover the same fascination that I have found in the spirit of the Tuscia.
(The Etruscan ISBN 1904893007, Wynkin deWorde, Galway, Ireland. July 2004, 240 pages,
www.amazon.co.uk www.theetruscan.com www.lindalappin.net )

END



Stairs in Vitorchiano

Infiorata Vitorchiano

Archangel Michael in Vitorchiano


Vitorchiano

View of Vitorchiano from the old road to San Michele photo by Leah Cano

Inviting country backroads around Vitorchiano

Walking through Tuscia in the Off Season


recently appearing in Transitions Abroad

Tuscia is the name given to a rugged corner of undiscovered Italy, untouched by mass tourism, bordering Tuscany, Umbria, and the greater area of Rome not far from the town of Viterbo. A pocket of woodlands, wild ravines, and volcanic lakes, Tuscia was once the heartland of Etruscan culture. The old Roman road known as the Francigena leading down from the Alps crosses its territory before rolling on to Rome. In centuries past, the villages, monasteries, hostels, and taverns of Tuscia provided hospitality to pilgrims on the last phase of their journey before proceeding to the Holy City. Today independent travelers willing to put on their walking shoes can recapture some of the atmosphere and adventure of the open road, while enjoying spectacular scenery in one of Italy’s most unspoiled environments. For those seeking an unusual holiday combining cultural discoveries and the great outdoors, an off-season trek in Tuscia offers many rewards.

Inexpensive accommodations may still be found in Bed & Breakfasts and pilgrims’ residences scattered through the villages, where, over a hearty meal made with locally-produced cheese, wine, mushrooms, sausages, and bread still baked in a wood oven, you may rub shoulders with monks, pilgrims, locals, or other ecologically-minded travelers like yourself.

The deep canyons and ravines of Tuscia were formed by dozens of streams feeding into the Tiber. High on the rim of those canyons, the Etruscans built their towns which would later become the fortressed medieval villages you may see today in which the cellars of the houses are carved directly in the rock. There are scores of villages to choose from for your base camp, each one with some architectural masterpiece to discover – villa, castle, tower, monastery, or sculpture garden –before rambling out to the olive groves and vineyards on the edge of town and then on through the countryside.

The village of Vitorchiano, situated 90 minutes from Rome and possessing one of the best-preserved medieval historic centers in Tuscia, makes a good starting point in terms of location, scenery, and accommodations. From the center of Vitorchiano it is easy to reach on foot a system of region-wide pathways and country lanes connecting this village to neighboring towns, archaeological sites, religious shrines, and nature preserves. Recently installed trail-markers help you find your way. You can hike as far as you like, taking a whole day to explore or just an hour or two.

Lying between the promontory of Vitorchiano and the neighboring promontory of Bomarzo (home to the famous “Monster Park,” a 16th century sculpture garden open all year round) is a vast archaeological area comprising the cave-dwellings of Corviano, the Etruscan ruins of Montecasoli, ancient Roman tombs and altars, and the ruined medieval monastery of San Nicolao. Isolated and unfrequented, half-overgrown with vines, these places will give the adventurous hiker a real thrill of penetrating into the unknown, although civilization is just a stone’s throw away, hidden behind the next ridge.

For a less isolated trek, the village of Barbarano Romano (reached by car or by bus from Viterbo) offers a condensed experience of many layers of history to absorb in a single afternoon or over several days. Just outside the town is one of Tuscia’s most famous archaeological parks, Marturanum with Etruscan tombs and temples, an ancient Roman bath, and a ruined medieval church with cloister situated in the woods over an area of 1200 hectares. The town itself has a small Etruscan museum where guidebooks to the park may be purchased and if desired, a guided tour may be arranged.

Hikers attracted to water will want to explore the areas around Lakes Vico and Bolsena. Lake Vico, set in a wild nature preserve in the Cimini Hills, 30 minutes by car from Vitorchiano, is surrounded by thick forests crisscrossed by dozens of trails, where in autumn you are likely to meet locals gathering chestnuts or porcini mushrooms ( for the latter, you now need a license). Lake Bolsena, instead ( reached by bus from Viterbo) is the hub of several charming fishing villages, Marta, Capodimonte, Bolsena, renowned for their culinary and artistic traditions. Swimming season here begins at the end of May. Lakeside restaurants are open all year. From spring to the end of September, you can make a tour of the lake by ferry from the docks of Capodimonte.

In the hill town of Celleno , travelers may lodge at a former convent, now a religious community dedicated to interfaith solidarity, which organizes workshops in spiritual disciplines from round the world. You may share meals with the members in the refectory, and, if you choose, join them for prayer or meditation in the chapel. In Bagnaia, just down the road from Vitorchiano, you may thread the labyrinth of the baroque gardens of Villa Lante celebrated by Montaigne and Edith Wharton. In Vasanello, you may visit workshops of ceramic artists who painstakingly recreate Etruscan and medieval pottery, using ancient designs and glazing methods.

In the lowlands of Castiglione in Teverina, you wander through vineyards and stop off at a cantina to sample the latest vintage. In Vulci, described by D.H. Lawrence as “beautiful and disquieting,” you cross a bridge first erected by the Etruscans and then explore a vast park containing one of the most famous of all Etruscan tombs, the tomb François. No tour of Tuscia would be complete without a visit to Bagnoregio (reached by bus from Viterbo) banned to cars, perched high above a canyon, accessible only by means of a steep and narrow footbridge, which is guaranteed to make your head spin and take your breath away when you look down into the canyon.

For longer walks, you’ll need to take your own provisions, though while hiking up around Lake Vico , you may come across one of the old fountains for travelers where the mountain spring water is safe to drink ( Usually there will be a sign to indicate this). When your path leads you through a village or hamlet at lunchtime, you’ll want to stop at a little trattoria to try the local fare. Since the Tuscia region is unknown to mass tourism, most small restaurants you encounter are geared to local customers, featuring rustic, family-style food (handmade pasta and grilled meat) at very modest prices.

The cuisine of Tuscia is based on the products of its woods and lakes--wild boar, chestnuts, hazelnuts, cherries, wild chicory and asparagus, porcini mushrooms, lake fish. The area produces excellent pecorino cheese, pork products, fine quality olive oil, and wine. Each village is fiercely proud of its unique culinary tradition–special pasta dishes, unusual soups made with chestnuts and mushrooms, and baked goods of all kinds, often featured at fairs and festivals.

All year round, the villages of Tuscia renew their sense of communal identity through traditional celebrations mingling their Catholic heritage with vestiges of more ancient customs. Some of the most popular festivals, held in the off-season, will give you a glimpse of life in former times. In January, many villages celebrate Saint Antony the Abbot with a special mass when animals are blessed. May 8 honors San Michele with processions in Vitorchiano, and a tree-wedding (a fascinating vestige of pagan ritual) in Vetralla. The joyous procession of the Barabbata in Marta in the month of May celebrates fruits of the earth and waters, with a blessing of the fish. December has its live manger scenes, running from Christmas to January 6th, in which entire villages collaborate to create artistic tableaux vivants with actors, scenery, local crafts, music, and of course, plenty of food and wine. Carnival starts soon after. Ronciglione on the shores of Lake Vico has one of the most colorful Carnival parades in central Italy.

The best times for a walking tour in Tuscia are late autumn, late winter, and spring. These are also the best times of year to enjoy a dip in the hot sulfur springs, in the area of Viterbo. What better way to revive your spirits than to soak your weary limbs after a long, invigorating walk through the woods?

For More Info

Getting There: Tuscia is easy to reach: By car from Fiumicino Airport, exit the A1 Highway at Orte and take the SS towards Viterbo. By train from Rome: local city train from Ostiense or Saint Peters’ station to Viterbo ( hourly departures, 1 hr.50 minutes until evening) By bus a network of blue Cotral buses connects the smaller towns with both Viterbo and Rome. To use these buses, you must be armed with patience, prepaid tickets, and a schedule, but they will take you wherever you want to go. In Viterbo, buses leave from the central piazza called Riello for many destinations described here. Check schedules at the bus terminal, as they change frequently.

Accommodations : Vitorchiano, Hotel Piccola Opera. This 3 star hotel also operates as a pilgrims’ residence for spiritual retreats and extended stay. Simple, Spartan rooms with private bath. Good location on the slopes of the Cimini Hills just outside Vitorchiano. The hotel offers a cordial staff and wonderful food. Excursions to sites of your choice can be arranged. Email hotelpiccolaopera@​libero.it Price: $60.00 per person for double room and half-board (breakfast, lunch OR dinner).

Viterbo Domus La Quercia. Another inexpensive pilgrims’ residence with excellent food. Good location. Former monastery located in an independent citadel. Contact Information and on-line booking: italy bookings.net Price: $55.00 per person for double room and half-board (breakfast, lunch OR dinner)

Barbarano Romano: Few accommodations available, travelers would be wise to stay either in Viterbo or Vitorchiano and come by bus or car to explore the vast outlying Etruscan park of Marturanum Marturanum Lunch not to be missed at the trattoria “La Pacchiona” where meats are grilled in a traditional way on a huge open hearth. The friendly manager will have some suggestions on where to find rented rooms for those who’d like to stay and enjoy the old-fashioned atmosphere. Celleno for information on staying at the convent, see la Tuscia.com Bolsena is full of charm in the off-season, with several hotels open autumn through winter and spring to use as a base for exploring the lake area. Ai Platani is one. See Bolsena info

Guided tours and Travel Consultancies : The itineraries described in this article are relatively easy ones and may be taken slowly in small doses of an hour or two, or in all-day adventures, according to your walking style, degree of fitness, and age. No equipment is required except a comfortable pair of walking shoes. In more isolated areas, it is advisable to walk with a partner. If you’d like to do a walking tour of Tuscia, but don’t want to go it alone, walk leader David Morton is specialized in leading hikes in the area. See romanroadwalks for information. For those who’d like a more athletic experience scaling canyon walls, see Michele Angileri

Information on Etruscan itineraries is available from Those who would like to combine walking with painting in Tuscia should see Marturanum At the time of this writing, the English version was not yet up on the site. For Vulci see Vulci which also provides downloadable maps, detailed descriptions of itineraries. English version available.

Guidebooks : None so far are available in English, but Tuscia Nascosta (Viterbo, 2007) which includes photographs, detailed itineraries, and maps. It may be ordered by writing to proferento

Search for a Hobbit's House: House Hunting in Tuscia




“Your house, “ said a sophisticated Los Angeles writer who visited this summer, “looks like a hobbit might have lived in it before you did.”

She was right of course, its enormous wooden ceiling beams and hand- carved, archaic fireplace would have made a perfect setting for a cozy interior scene of Lord of the Rings.

“ How ever did you find this place?” she wondered, looking out my kitchen window down into the gorge of Vitorchiano, where a slight summer breeze stirred the thick foliage of the hazelnut groves. Sheep were grazing right along the edge, across the yawning gap of the gorge. We could hear their bells tinkling.

“It was a long search,” I admitted, “with quite a few dead ends.”

“Don’t suppose there are any more around here like it? You really do feel that you have gone back in time. How do you go about looking for a house like this? I mean, where do you start?”

Here’s where I started, though, as you’ll see, it took quite a while, and a few dead ends and close encounters with the local spirits of place....

After weeks of searching for a suitable house in the local house hunter’s magazines: Porta Portese, L’Occasione, and of course Wanted in Rome, I finally lucked into a likely looking classified ad. It had been placed by a noted real estate agent in the city of Viterbo. The house was advertised as an authentic old farmhouse not far from the superhighway connecting Viterbo to highway A1, the main artery to Rome. The location was perfect and the price, seventy-five thousand euros, not bad.
One summer afternoon the agent, a pleasant woman from Argentina, accompanied us to the house. Exiting the superstrada, we found ourselves on a charming country lane, lined by oak and chestnut trees. Here there were many new villas with lush gardens secluded behind chain link fences with surveillance cameras, but there seemed to be no logic in the street numbers, and though we drove back and forth several times, examining every gate, we couldn’t figure out which way they ran. There was no sign of the one we were searching for, number 33.
The agent kept apologizing and tried to contact her office with her mobile, but we were out of reach of any antennas and her phone didn’t work. At last we asked directions of a man out barbecuing in his front yard, but he only shook his head and gestured vaguely onwards with his barbecue fork.
The asphalt turned to gravel. The sun sank lower, crows cawed in the treetops. There were no houses out this way, only huge plots of meadow dotted with a few dirty sheep. The road passed through a small wood, and finally petered out at the edge of a field. A hundred yards away, partially concealed by an overgrowth of queen anne’s lace, stood a forlorn farmhouse of modern construction. We drove on through the weeds until the car would go no further, then got out and contemplated the house.
The electric poles punctuating the countryside came to a stop right here, as well. Behind the house, meadows, then woods, stretched on indefinitely. This was indeed the last outpost, and there were no other houses around for at least three or four miles, and the nearest village with shops a good deal further away. I certainly couldn’t imagine staying overnight all alone. But the house was surrounded by an intriguing garden, with olive, fig, mulberry, and several fruit trees, lilac bushes, and raspberry vines. At this distance, the plants all appeared beautifully kept and pruned despite the remote location. We thought perhaps it was worth looking at, so we made our way towards it, picking cautiously through waist high weeds, for this was viper territory.
Pushing the gate open, we saw the first sign of something strange. A giant clay mask depicting an Etruscan gorgon was mounted high on the wall overlooking the patio, as if to discourage intruders. Next to the mask, the splayed, withered roots of an enormous tree had been hung as decoration. It was, most likely, a tree uprooted from this spot when the house was built. Knowing how the Etruscans felt about genius locii -- they believed it was dangerous to upset the local spirits of a place by digging up trees, changing the courses of streams or removing stone masses -- one sensed that this bizarre display boded no good.
After much fiddling with the rusty lock, we opened the main door to the kitchen - living room area. Dark, low- ceilinged, windowless, it was lit only by the glass door to the patio. The place was still packed with the owner’s belongings. Piles of newspapers, stacks of old dishes, pots and pans, jars of dried beans, lanterns cluttered every surface. A yellow raincoat and a frayed straw hat hung on a nail in the wall. I had the eerie feeling of violating the privacy of someone who had just stepped out into the garden for a moment. On the table was a disconnected telephone with frayed cord which had been wrenched out of the wall.
There was no staircase leading to the upper floor where the bedrooms were located. To go upstairs we had to go out to the patio and walk around to the front of the house, which would have been quite a long distance to go in your pyjamas in the morning. Here a stairway led up to a porch that had been completely boarded up. Was this protection against bad weather or thieves, I wondered. Pushing on the boards, I nearly lost my balance, stumbling forward as one sprang open. Looking down, I gasped in astonishment as a small beagle appeared in the gap in the door.
I expected it to bark, but seeing it so mute and motionless, I realized it was merely a cleverly painted and very life-like statue. Perhaps the owner had hidden it here for safe- keeping. Yet another guardian, I thought, but this one seemed friendly.
On the porch we found three doors leading to the bedrooms, corresponding to the three keys on the agent’s key chain. Two were small nun-like cells with barely enough room for a cot and a dresser. While I examined the two cell -like bedrooms, the agent tried to open the third door, which led, we supposed, to the master bedroom.
The door banged open with a screeching of hinges, and then the agent gave a blood curdling scream.
Terrified I rushed in after her, fearing I might find a body decomposing, or perhaps a brood of nesting boars or snakes. Instead I saw the aftermath of a tornado: drawers pulled out and emptied on the floor, cupboards flung open, clothes, books, shoes, bedding, papers strewn everywhere.
The agent stood panting in a corner. She smiled sheepishly and said, “Sorry. I was robbed last year, and it was just like this. I was afraid maybe a thief was still in the room”
We looked around at the terrible mess and tried to figure out what had happened there. Perhaps thieves had ransacked this room only, perhaps there had been a drug raid, or maybe the previous occupants had just packed up and escaped in a dreadful frenzy.
I peeked into the bathroom, where nothing was out of order, except for a green slime that had grown upon the soap in a dish on the sink and on the bristles of the toothbrushes. There was a pile of newspapers near the toilet. I glanced at the date, five years earlier. God knows what had happened here in this place since then, but all I wanted was to clear out immediately and find my way back to civilization.
The agent felt the same way, and in five minutes we had closed the place back up and were heading for the car. Dashing through the gate I looked up at the gorgon, who seemed to be laughing at us. I felt immensely relieved when the car started up without a hitch and we drove safely away through the long grass where fireflies now gleamed in the twilight.


Western view of Vitorchiano

Vitorchiano, Woodcut, M.C. Escher

The Archangel Comes to Vitorchiano
Travel Essay by Linda Lappin from the
St.Petersburg Times

VITORCHIANO, Italy - The workday begins at dawn here with the sound of sweeping, as women in floral-print aprons sweep the stairs leading from their balconies to the narrow, cobbled street below. From across the canyon on which the village perches comes the tinkling of sheep bells, as a shepherd takes his flock out to pasture.
This medieval village is in Tuscia, a wooded area between Rome and Tuscany. It is in the heart of Etruscan country - the walls of the gorge below are scored with Etruscan tombs. But now they are used as sheep folds, tool sheds and wine cellars.
A loud gush of water comes from the village fountain, as a woman begins to pound her laundry in the old stone trough. It is a tradition generations old. As she wrings and scrubs, she sings an old, old song.
Curious, I peer down from my window to watch this anachronistic scene. What does she use to whiten those sheets? Ashes, lye, soda? No: she is using the latest version of Dash. So there have been some changes in the old ways. But when she has finished, she spreads her sheets to dry over the hazelnut bushes along the rim of the gorge.
This area is little known to tourists, offering an authentic view of peasant life as it creeps toward modernity. Here the local people still live by ancient trades: cutting wood, tending sheep, producing wine and olive oil, quarrying peperino, the volcanic stone that has provided the village livelihood for centuries.
Yet the villagers haven't missed out on satellite TV or mobile phones, as the constant trilling in nearby houses informs me.
Today the village is preparing for one of the year's most important feast days: the appearance of Archangel Michael, on May 8.
Archangel Michael is a major saint in the Italian canon. Destroyer of Evil, he is usually depicted spearing a writhing demon with his sword. He is the patron saint of police and ecologists, and his cult is still much alive today in areas where pre-Christian traditions were deep-rooted and geological abnormalities made people fear that the underworld lurked too close for comfort.
Vitorchiano is such a place: The entire area is riddled with Etruscan tombs, crisscrossed by boiling sulfur springs, and strewn with strange-shaped boulders which cast eerie shadows in moonlight.
Every home in the village has an icon of St. Michael above the mantelpiece and every villager devoutly contributes to his yearly celebration, which consists of a special Mass and a pilgrimage to a chapel on the other side of the gorge.
The steep path down through the canyon is viper-infested and overgrown with briars that must be cut back before the pilgrims can set out.
So the morning before the festival, an army of men with machetes and weed killer set to work clearing the trail.
Meanwhile, in the piazza, the baker prepares the anise-flavored cakes that are the traditional treat honoring St. Michael. As the cakes are baking in the local wood oven, the sweet smell of anise floats above the tiled rooftops. Laundry strung under the windows billows in the breeze.
By mid morning the housewives have completed their chores and it's time for the shopping, their main form of recreation.
In the tiny grocery store, hams and sausages dangle from the ceiling beams amid garlands of dried hot peppers. Wheels of pecorino cheese and vats of creamy ricotta are displayed on beds of chestnut leaves, alongside sacks of dried porcini mushrooms gathered last autumn from the surrounding hills, and baskets of plump red cherries just picked that morning.
Who can blame these women for not wanting to rush home again immediately? The shopping can take over an hour because local gossip is exchanged and everyone in the shop has their say about the day's topic of conversation: tomorrow's celebration, and whether this year's cakes will be as good as last year's.
By the stroke of noon from the village clock tower, the streets empty as everyone disappears inside for lunch. Then, after four hours of total silence, undisturbed by cars or motorscooters, the streets fill up again with children on bicycles. The women set chairs out and resume their afternoon labors. One crochets a lace curtain, another is shelling peas, a third is sorting a basket of wild chicory.
This is the hour of segregation:
The women are at home, sitting on the steps. The men have congregated outside the old walls at a cafe in the newer part of the village, where they play cards, discuss politics and crops, and keep out of their wives' hair. Here they will remain indolent until dinner time, when they will shuffle home, stopping off at their cantina to sneak an extra glass of wine or two, and to fetch a flask for dinner.
It's warm enough now at night to sit outside till late. The men at last join the women to banter away the evening. Village small talk generally focuses on grandchildren, health and recipes, but tonight there is a new note of strident dissent. I prick up my ears: They are arguing about who will be the winner of Italy's equivalent of Survivor.
St. Michael, staring down from his icon above the street, is unperturbed by this intrusion of modern life. He knows that tomorrow will go as planned, the way it has for the past 800 years.
The day will begin with the beating of drums, simulating his battle with evil, calling the folk to Mass. His statue, bedecked with lilies, will take the prominent place in church. The faithful, young and old, vigorous and infirm, will follow him down the gorge and up the promontory to the chapel where his effigy stands in the shadows with his sword unsheathed. Then the knapsacks will be opened and the anise seed cakes passed around. Prayers will be offered and stories will be told, legends of the underworld that Michael holds in check, the vanished Etruscans and their mysteries, still palpable in Tuscia.
- Linda Lappin is a 1975 graduate of Eckerd College now living in Italy. She is the author of The Etruscan, a novel set in Vitorchiano and the surrounding Etruscan area, in 1922. The novel was published last year by Wynkin deWorde, Galway, Ireland and is available online at www.kennys.ie and www.amazon.co.uk and at the Eckerd College Bookstore.
[Last modified June 3, 2005, 09:56:03]
Travel

Selected Works

NOVELS
Katherine's Wish
A new novel about the lives of Katherine Mansfield and her circle
Signatures in Stone
A New Mystery Novel Set in Bomarzo
THE ETRUSCAN
A tale of passion, possession and illusion See this space for articles and recent reviews NEW Read the Carnival seduction scene
Travel Essays
Short Stories and Travel Essays
Notebooks of a Tuscan Recluse
Meditations on the rustic life in Tuscany

Writing Women's Lives
Missing Person in Montparnasse: The Case of Jeanne Hebuterne
Essay on the life of the artist, Jeanne Hebuterne, wife of Modigliani
The Ghosts of Fontainebleau
An essay about Katherine Mansfield
Selected Translations
BROTHERS
Winner of the Poggioli Award in Translation from PEN Winner of an NEA grant in translation